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Deborah Farre
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| Deborah Farre is a New York-based sculptor. She works primarily with translucent industrial materials such as polyethylene film and nylon filament to create works that, when combined with light, create an evocative visual language. This is her first collaboration with Susan Marshall & Company.
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Roger Hanna
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| Roger Hanna (Set & Projections Designer) first worked with Susan Marshall in 1993, designing the set for Walter's Finest Hours. Roger has designed sets for directors and choreographers including Laura Alley, Trazana Beverly, Dorothy Danner, Thomas Gruenewald, Barry Harman, Ralph Lee, Elisa Monte, and Michael Parva, and Steven Williford, as well as repeated collaborations with Jack Allison, Suzanne Bennett, Ralph Buckley, the Gilgamesh Theatre Group, Robin Guarino, and Ron Jenkins. Recent work includes Walking Down Broadway at the Mint, On the Town at the Pittsburgh Playhouse, Kiss Me Kate at the Marshall Performing Arts Center in Duluth, Die Zauberflöte for Mannes Opera, and the two most recent New York and U.S. premieres, respectively, of Dario Fo plays. To see some of his work, visit www.rogerhanna.com.
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Mark Lanks
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| Mark Lanks (Production Manager/Lighting Supervisor) is excited to continue working with Susan Marshall & Company in his new role as Production Manager after starting with the company in 2005 with Sleeping Beauty & Other Stories. Mark works primarily as a lighting designer, residing in the Washington DC area. Recent theatre and opera designs include the world premiere musical Nevermore at Signature Theatre, Gounod's Faust at Shreveport Opera, Pal Joey at Stoneham Theatre, Disney's Beauty & The Beast at Allenberry Playhouse, Le Tragedie de Carmen at Olney Theatre Center, Pacific Overtures at Signature Theatre, and Crazy Eyes for Provincetown Repertory Company. He holds an MFA in Lighting Design from Boston University and a BA in Musical Theatre from Susquehanna University.
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Kasia Walicka Maimone
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| Kasia Walicka Maimone (Costume Designer) designs for theater, dance and film and has worked with Susan Marshall for the last twelve years. Their latest collaborations include One and Only You, The Most Dangerous Room in the House and Les Enfants Terribles, the Marshall/Glass dance opera .She has just completed Nine parts of Desire in Geffen and Romeo and Juliet at A.R.T . Her film credits include Jesus' Son, Song Catcher, Hysterical Blindness and this year's Capote and Little Manhattan.
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Jane Shaw
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| Jane Shaw (Composer, Sound Designer). Ms. Shaw's sound design credits include Sleeping Beauty and Other Stories with Susan Marshall and Company, A Likeness with Terry Creach, Big Dance Theater's Plan B, Girl Gone, Simple Heart, Shunkin, Another Telepathic Thing, and Mac Wellman's Antigone at Dance Theater Workshop. Other favorites include: Monster with Michael Greif(CSC), Silence (Synapse Productions), 8/124 (Will Knapp), Antony and Cleopatra and Taming of the Shrew with the Queen's Company, Syncopation with Capital Rep in Albany, and the 2005-2006 season at the Pearl. She is a recipient of the NEA/TCG Career Development Program, 2005 - 2007, and a Meet the Composer Grant, 2006 for Hecuba at the Pearl Theater. She is a graduate of the Yale School of Drama and a native of Lawrence, Kansas. She dedicates these performances to “Uncle Steve".
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Mark Stanley
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| Mark Stanley (Lighting Designer) is currently the Lighting Director for the New York City Ballet where he has designed over 150 premiers for their repertory including works for Peter Martins, Christopher Wheeldon, Susan Stroman, Christopher D'Amboise, Kevin O'Day, William Forsythe, Ulysses Dove, and others. In addition, he has designed for David Gordon, Doug Varone, Tim Rushton, Nicolo Fonte, Lynn Taylor Corbett, Maurico Weinrott, Lar Lubovitch, Laura Dean, and ballet companies across Europe and the USA. Mr. Stanley previously served as Resident Designer for the New York City Opera, lighting over 20 new productions for the resident and touring companies. He continues to design opera for numerous regional companies. He has designed plays for The Kennedy Center, Long Wharf, The Ordway, Goodspeed, and many Off-Broadway companies. His designs have been seen nationally on PBS for "Live from Lincoln Center" and "Great Performances". Mr. Stanley is Associate Professor of Lighting in the School of Theatre Arts at Boston University, on the Board of the Gilbert V. Hemsley Jr. Internship in Lighting, and is the author of The Color of Light Workbook.
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